
Why professional vacation photos are the best souvenir from Cuba
You can buy the rum, the cigars, the t-shirt with a flag on it. None of them remember the morning. The picture of you against a turquoise wall does.
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An honest case for hiring someone with a camera — not because you want a fashion shoot, but because the picture you take of yourself in the mirror won't carry the day.
It is not vanity to want a good photograph of your trip. It is the opposite — it's the recognition that a vacation is one of the few weeks in any given year where you actually look like you're enjoying yourself, and the next time you'll feel that way is probably twelve months from now.
Most travelers arrive expecting to take their own pictures and end up with three hundred frames of someone else's shoulder. The intent is good; the geometry doesn't cooperate. You can either be in the picture or be the one taking it. You can't, in most cases, be both — at least not in a way you'll want to look at later.
A photographer doesn't make you pose. A photographer walks beside you for two hours, knows when the light is about to break over a wall, and waits. The pictures that come out of that waiting don't look like commercials — they look like memories you'll trust later, because they are.
There's also the small matter of equipment and craft. A real lens at the right focal length, properly held, makes a fundamentally different kind of picture than a phone — not just sharper, but warmer, deeper, more like what your eye actually saw. You'd be amazed at the difference between a phone-grade shot of you in front of the Capitolio and a frame from a 35mm prime, taken from across the street, with the right amount of distance.
“We're selling the print you'll hang above the dresser.”
We aren't selling Instagram. We're selling the print you'll hang above the dresser, and the one you'll send to your mother, and the one your kids will find in a drawer in twenty years and ask: "Where are you here? You look so happy."
The technical name for what we do is "vacation photography." The honest name for what we do is "remembering well, on your behalf, while you're busy living the trip." Most of our travelers tell us, six months later, that the pictures became the favorite part of the holiday. The mojitos were nice; the Chevy was fun. The print above the dresser is the one they look at every morning.
The Cuban Swing is the easiest way to start — two hours, one photographer who walks beside you and waits for the light, fifty edited frames you'll actually want to hang.
See the Cuban Swing →
You can buy the rum, the cigars, the t-shirt with a flag on it. None of them remember the morning. The picture of you against a turquoise wall does.
Read on →
Cutting, lighting, drawing, holding it for the camera. A short guide so your first Cohiba on a rooftop in Vedado looks the way you'd hoped it would.
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An open letter to anyone coming to Cuba wanting to see what the guidebooks don't show — the hidden courtyards, the neighborhood markets, the five-o'clock light.
Read on →Reading is good. Walking is better. Book a session and let one of us walk you through the city.